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Title: Streetlife Serenade
Artist: Billy Joel
Genre: Rock
Released: 1974
Tracks:
1 - Streetlife Serenader - 5:19
2 - Los Angelenos - 3:42
3 - The Great Suburban Showdown - 3:46
4 - Root Beer Rag - 3:03
5 - Roberta - 4:33
6 - The Entertainer - 3:40
7 - Last of the Big Time Spenders - 4:35
8 - Weekend Song - 3:31
9 - Souvenir - 2:00
10 - The Mexican Connection - 3:36
Overview:
Artist: Billy Joel
Genre: Rock
Released: 1974
Tracks:
1 - Streetlife Serenader - 5:19
2 - Los Angelenos - 3:42
3 - The Great Suburban Showdown - 3:46
4 - Root Beer Rag - 3:03
5 - Roberta - 4:33
6 - The Entertainer - 3:40
7 - Last of the Big Time Spenders - 4:35
8 - Weekend Song - 3:31
9 - Souvenir - 2:00
10 - The Mexican Connection - 3:36
Overview:
Streetlife Serenade is the third studio album by American singer-songwriter Billy Joel (his second with Columbia Records), released on October 11, 1974.
Joel's follow-up effort to 1973's Piano Man, Streetlife Serenade did not enjoy the relative success of its predecessor; it marked the beginning of his frosty relationship with critics and the music industry more generally. In "The Entertainer", Joel peevishly mocks the entertainment industry, reminiscing bitterly over his record label's earlier insistence that the single version of Piano Man's title track (the album's major hit) be shortened to maximize radio airplay:
"It was a beautiful song but it ran too long./If you're gonna have a hit, you gotta make it fit./So they cut it down to 3:05."
"The Entertainer" peaked at #34 on the US Singles Chart.
The album contains two songs that were featured in many of Joel's live shows during the 1970s: the instrumental "Root Beer Rag" and the short song "Souvenir", which Joel often played as the final encore during that time period.
Two others, "Streetlife Serenader" and "Los Angelenos" were included on Joel's first live album, Songs in the Attic (1981).
Joel's follow-up effort to 1973's Piano Man, Streetlife Serenade did not enjoy the relative success of its predecessor; it marked the beginning of his frosty relationship with critics and the music industry more generally. In "The Entertainer", Joel peevishly mocks the entertainment industry, reminiscing bitterly over his record label's earlier insistence that the single version of Piano Man's title track (the album's major hit) be shortened to maximize radio airplay:
"It was a beautiful song but it ran too long./If you're gonna have a hit, you gotta make it fit./So they cut it down to 3:05."
"The Entertainer" peaked at #34 on the US Singles Chart.
The album contains two songs that were featured in many of Joel's live shows during the 1970s: the instrumental "Root Beer Rag" and the short song "Souvenir", which Joel often played as the final encore during that time period.
Two others, "Streetlife Serenader" and "Los Angelenos" were included on Joel's first live album, Songs in the Attic (1981).